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16

Feb

ragbag:

arial & helvetica
on friday, i hosted a screening of helvetica for some buddies of mine that didn’t know that there were other typefaces besides times new roman. it turns out, there ARE other typefaces and one of them is helvetica (and another of them is papyrus.)
the documentary does not explore the relationship between helvetica and microsoft’s derivative, arial. so to help ignite the post-viewing dialogue, i made this supplement illustrating the key differences in letterforms. however, in place of any spirited debate, my buddies decided instead to take turns delivering roundhouses to my jaw, saying “a documentary about a font is as interesting as it sounds.” i could not agree more.
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update (9/22/2009): welcome internet-at-large! i am ostrich-feather-tickled that you are finding this chart to be such as gas. should you want to see my other type-related posts, you can give this a gentle click. should you want to see a collection of my favourite posts, you can get dirty with this link. should you want to close this tab and see what else is on the internet (hint: pictures of cats), you can hit cmd + w and be on your way.

I did the quiz and got 19/20 for telling the difference between Helvetica and Arial. I realized that I loved Helvetica because it was very well balanced and weighted, in terms of distributing the weight in the letter, and also because it was very level; the ends of letters are often cut straight or parallel to the ground

ragbag:

arial & helvetica

on friday, i hosted a screening of helvetica for some buddies of mine that didn’t know that there were other typefaces besides times new roman. it turns out, there ARE other typefaces and one of them is helvetica (and another of them is papyrus.)

the documentary does not explore the relationship between helvetica and microsoft’s derivative, arial. so to help ignite the post-viewing dialogue, i made this supplement illustrating the key differences in letterforms. however, in place of any spirited debate, my buddies decided instead to take turns delivering roundhouses to my jaw, saying “a documentary about a font is as interesting as it sounds.” i could not agree more.

__

update (9/22/2009): welcome internet-at-large! i am ostrich-feather-tickled that you are finding this chart to be such as gas. should you want to see my other type-related posts, you can give this a gentle click. should you want to see a collection of my favourite posts, you can get dirty with this link. should you want to close this tab and see what else is on the internet (hint: pictures of cats), you can hit cmd + w and be on your way.

I did the quiz and got 19/20 for telling the difference between Helvetica and Arial. I realized that I loved Helvetica because it was very well balanced and weighted, in terms of distributing the weight in the letter, and also because it was very level; the ends of letters are often cut straight or parallel to the ground

15

Feb

more dictionary candidates = more euphemisms

more dictionary candidates = more euphemisms

By David Mitchell

Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so – so – so softly, she stands with her naked feet on mine, her ear to my heart and we waltz like string-puppets. After that kiss, she says, ‘Vous embrassez comme un poisson rouge!’ and in moonlit mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita, and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow-grass. Because if I smile at her ambition to be an Egyptologist she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart and couldn’t tell C-major from a sergeant-major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man – his best part is commandeered by his unperformed music – but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blow-hole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance ‘beauty’, yet here she is, in these soundproofed chambers of my heart.